Music in the baroque world : history, culture, and performance / Susan Lewis.
Material type:
TextPublisher: London : Routledge, 2016Description: 320 pages : illustrationsContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780415842761 (pbk.) :; 041584276XSubject(s): Music -- 17th century -- History and criticism | Music -- 18th century -- History and criticism | Music | MusicDDC classification: 780.9'032 Summary: An interdisciplinary study of the music of Europe and the Americas in the 17th and first half of the 18th centuries. Balancing culture, history, and musical analysis with an emphasis on performance considerations such as notation, instruments, and performance techniques, it situates musical events in their intellectual, social, religious, and political contexts to enable in-depth discussion and critical analysis.
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 780.9032 LEW (Browse shelf(Opens below)) | Available | 06497853 | |||
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 780.9032 LEW (Browse shelf(Opens below)) | Available | 06497861 | |||
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 780.9032 LEW (Browse shelf(Opens below)) | Available | 06252729 |
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Browsing Paul Hamlyn Library shelves, Shelving location: Floor 3 Close shelf browser (Hides shelf browser)
| 780.9032 LAT The late baroque era : from the 1680s to 1740 / | 780.9032 LAT The late baroque era : from the 1680s to 1740 / | 780.9032 LAT The late baroque era : from the 1680s to 1740 / | 780.9032 LEW Music in the baroque world : history, culture, and performance / | 780.9032 LEW Music in the baroque world : history, culture, and performance / | 780.9032 LEW Music in the baroque world : history, culture, and performance / | 780.9032 PAL Baroque music / |
An interdisciplinary study of the music of Europe and the Americas in the 17th and first half of the 18th centuries. Balancing culture, history, and musical analysis with an emphasis on performance considerations such as notation, instruments, and performance techniques, it situates musical events in their intellectual, social, religious, and political contexts to enable in-depth discussion and critical analysis.
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