Sexuality / edited by Amelia Jones.
Material type:
TextPublisher: London : Whitechapel Gallery, 2014Description: 240 pages ; 21 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9780854882243 (pbk.) :Subject(s): Sex in art | Art, Modern -- 20th century -- History | Art -- Psychology | Art -- Philosophy | Art and Design | Art and DesignDDC classification: 704.9'428 Summary: This title critically surveys art's identification with desire, self-performance and self-representation via key texts by artists an theorists from the mid 20th century to the present. It has been argued, most notably in psychoanalytic and modernist art discourse, that the production of works of art is fundamentally driven by sexual desire. It has further been argued, particularly since the early 1970s, that sexual drives and desires also condition the distribution, display and reception of art. This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have shifted in tandem with artistic and theoretical debates, from the era of the rights movements to the present.
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
|---|---|---|---|---|---|---|---|---|---|
Book
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 704.9428 SEX (Browse shelf(Opens below)) | Available | 06212808 |
Browsing Paul Hamlyn Library shelves, Shelving location: Floor 3 Close shelf browser (Hides shelf browser)
| 704.9421 NEA The female nude : art, obscenity and sexuality / | 704.9421 SAU The nude : a new perspective / | 704.9425 HIG Pictures of innocence : the history and crisis of ideal childhood / | 704.9428 SEX Sexuality / | 704.943 GIL Woodcut / | 704.9434 PLA Plant kingdom : design with plant aesthetics. | 704.9436 GEN Gendering landscape art / |
This title critically surveys art's identification with desire, self-performance and self-representation via key texts by artists an theorists from the mid 20th century to the present. It has been argued, most notably in psychoanalytic and modernist art discourse, that the production of works of art is fundamentally driven by sexual desire. It has further been argued, particularly since the early 1970s, that sexual drives and desires also condition the distribution, display and reception of art. This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have shifted in tandem with artistic and theoretical debates, from the era of the rights movements to the present.
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