The language of film / Robert Edgar-Hunt, John Marland, Steven Rawle.
Material type: TextSeries: Basics film-makingPublisher: New York : Fairchild Books, 2015Edition: 2nd editionDescription: 216 pages : illustrations (colour) ; 23 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781472575241 (pbk.) :Subject(s): Motion pictures -- History | Motion pictures -- Semiotics | Performing Arts | Performing ArtsDDC classification: 791.4'3'01 Summary: 'The Language of Film' examines how films communicate & discusses the stories they tell, the sign-systems they deploy, the interpretive contexts we are invited to place them in, & the range of aesthetic elements which contribute to the cinematic image.Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
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Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.4301 EDG (Browse shelf(Opens below)) | Available | 06204643 | |||
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.4301 EDG (Browse shelf(Opens below)) | Available | 06204651 | |||
Reference book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.4301 EDG (Browse shelf(Opens below)) | Not for loan | 06171974 | |||
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.4301 EDG (Browse shelf(Opens below)) | Available | 06171982 | |||
Book | Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 791.4301 EDG (Browse shelf(Opens below)) | Available | 06171990 |
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791.4301 DOU The art of technique : an aesthetic approach to film and video production / | 791.4301 EDG The language of film / | 791.4301 EDG The language of film / | 791.4301 EDG The language of film / | 791.4301 EDG The language of film / | 791.4301 EDG The language of film / | 791.4301 EDG The language of film / |
Previous edition: Lausanne: AVA Academia, 2010.
Includes bibliographical references.
'The Language of Film' examines how films communicate & discusses the stories they tell, the sign-systems they deploy, the interpretive contexts we are invited to place them in, & the range of aesthetic elements which contribute to the cinematic image.
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