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A history of experimental film and video : from the canonical avant-garde to contemporary British practice / A.L. Rees.

By: Rees, A. LContributor(s): British Film InstituteMaterial type: TextTextPublication details: Basingstoke : Palgrave Macmillan, 2011Edition: 2nd editionDescription: xii, 196 p., [16] p. of plates : ill. (some col.) ; 24 cmISBN: 9781844574360 (pbk.) :; 1844574369 (pbk.) :; 9781844574377 (hbk.) :; 1844574377 (hbk.) :Subject(s): Experimental films -- History and criticism | Video art | Performing ArtsDDC classification: 791.4'3611'09 Summary: This second edition covers the history of avante-garde film and video, ranging from Cezanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s. The author also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse.
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Item type Current library Home library Shelving location Class number Status Date due Barcode Item reservations
Reference book Reference book Paul Hamlyn Library Paul Hamlyn Library Floor 3 791.4361109 REE (Browse shelf(Opens below)) Not for loan 06390773
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 791.4361109 REE (Browse shelf(Opens below)) Available 06260187
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 791.4361109 REE (Browse shelf(Opens below)) Available 06390781
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 791.4361109 REE (Browse shelf(Opens below)) Available 06390803
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 791.4361109 REE (Browse shelf(Opens below)) Available 06210414
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 791.4361109 REE (Browse shelf(Opens below)) Available 06140734
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Previous ed.: London: BFI, 1999.

Published on behalf of the British Film Institute.

Includes bibliographical references and index.

This second edition covers the history of avante-garde film and video, ranging from Cezanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s. The author also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse.

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