William Eggleston - from black & white to color.
Material type:
TextPublisher: Göttingen : Steidl, 2014Description: 1 volume : chiefly illustrations (black and white, and colour)Content type: text | still image Media type: unmediated Carrier type: volumeISBN: 9783869307930 (hbk.) :Other title: From black & white to colorUniform titles: Works. Selections Subject(s): Eggleston, William, 1939- | Photography, Artistic | Photography | PhotographyDDC classification: 779'.092 Summary: At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston eventually developed his own style which later shaped his seminal work - an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles and ghostly figures lost in space. This book includes some exceptional as yet unpublished photographs, and displays the evolution, ruptures and above all the radicalness of Egglestons work when he began photographing in colour at the end of the 1960s.
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 779.092 EGG (Browse shelf(Opens below)) | Available | 06139426 |
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| 779.092 DIA In the beginning / | 779.092 DOU Stan Douglas : midcentury studio / | 779.092 DUR Dorothea Lange / | 779.092 EGG William Eggleston - from black & white to color. | 779.092 EGG William Eggleston's guide / | 779.092 EIJ People of the twenty-first century / | 779.092 ELG Arthur Elgort - the big picture. |
At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston eventually developed his own style which later shaped his seminal work - an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles and ghostly figures lost in space. This book includes some exceptional as yet unpublished photographs, and displays the evolution, ruptures and above all the radicalness of Egglestons work when he began photographing in colour at the end of the 1960s.
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