Photography. Vol. 3, From the press to the museum, 1941-1980 / edited by Walter Guadagnini ; texts by Urs Stahel, Francesco Zanot, Camiel van Winkel.
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TextPublisher: Milano : Skira, 2013Description: 304 pages : illustrations (colour)Content type: text | still image Media type: unmediated Carrier type: volumeISBN: 9788857215082 (hbk.) :Subject(s): Photography -- History -- 20th century | Photography, Artistic -- 20th centuryDDC classification: 770.9'045 Summary: This monograph traces the historical evolution of photography, focusing on artists such as Helen Levitt, Weegee, Robert Doisneau, Henri Cartier-Bresson, Josef Sudek, William Klein, Robert Frank, Richard Avedon, Shomei Tomatsu, William Eugene Smith, Gerhard Richter, Bernhard and Hilla Becher, Ugo Mulas, Ed Ruscha, Larry Clark, just to name a few. The essays provide an in-depth discussion of some of the primary themes of the historical period: the evolution of documentary photography between 1950 and 1980, the revolution of colour and the relationship between photography and conceptual art.
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 770.9045 PHO (Browse shelf(Opens below)) | Available | 05469716 |
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| 770.904 TWE 20th century photography / | 770.9041 PHO Photography : Volume 2, a new vision of the world, 1891-1940 / | 770.9045 COU Talk about contemporary photography / | 770.9045 PHO Photography. Vol. 3, From the press to the museum, 1941-1980 / | 770.9049 OVE Over exposed : essays on contemporary photography / | 770.905 MIL Photography for the 21st century. | 770.92 ABB Berenice Abbott / |
This monograph traces the historical evolution of photography, focusing on artists such as Helen Levitt, Weegee, Robert Doisneau, Henri Cartier-Bresson, Josef Sudek, William Klein, Robert Frank, Richard Avedon, Shomei Tomatsu, William Eugene Smith, Gerhard Richter, Bernhard and Hilla Becher, Ugo Mulas, Ed Ruscha, Larry Clark, just to name a few. The essays provide an in-depth discussion of some of the primary themes of the historical period: the evolution of documentary photography between 1950 and 1980, the revolution of colour and the relationship between photography and conceptual art.
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