Heinemann advanced music / Pam Hurry and Mark Phillips with Mark Richards.
Material type:
TextPublication details: Oxford : Heinemann Educational, 2001Description: 332p. : music, ports. ; 27 cmISBN: 0435812580 (pbk.) :Other title: Advanced musicSubject(s): Music | Music -- History and criticism | Music -- Study and teaching (Secondary) | Composition (Music) -- Handbooks, manuals etcDDC classification: 780
Contents:
Summary: Written for the new A level specifications, this text will provide students with all they need to know to achieve the best results at A level. The Composing section teaches students how to compose: Renaissance vocal counterpoint, two-part Baroque counterpoint, J.S. Bach-style chorales, Classical string quartets, variations, early Romantic style piano accompaniments, Romantic miniatures, using serial techniques, using minimalist techniques, and free composition.
Listening and understanding: Renaissance - The Baroque - The Classical Period - The Romantic Period - The Twentieth Century - Pop, rock and jazz - Composing - Performing.
| Item type | Current library | Home library | Shelving location | Class number | Status | Date due | Barcode | Item reservations | |
|---|---|---|---|---|---|---|---|---|---|
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 780 HUR (Browse shelf(Opens below)) | Available | 05819245 |
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| 780 HUG The new music industries : disruption and discovery / | 780 HUR Heinemann advanced music / | 780 HUR Heinemann advanced music / | 780 HUR Heinemann advanced music / | 780 LUT Lutoslawski on music / | 780 MAC The concept of music / | 780 NOR Norton anthology of Western music. Volume 1, Ancient to Baroque. |
Listening and understanding: Renaissance - The Baroque - The Classical Period - The Romantic Period - The Twentieth Century - Pop, rock and jazz - Composing - Performing.
Written for the new A level specifications, this text will provide students with all they need to know to achieve the best results at A level. The Composing section teaches students how to compose: Renaissance vocal counterpoint, two-part Baroque counterpoint, J.S. Bach-style chorales, Classical string quartets, variations, early Romantic style piano accompaniments, Romantic miniatures, using serial techniques, using minimalist techniques, and free composition.
Secondary.
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