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The producer as composer : shaping the sounds of popular music / Virgil Moorefield.

By: Moorefield, Virgil, 1956-Material type: TextTextPublication details: Cambridge, Mass. ; London : MIT Press, 2005Description: xix, 143 p. ; 24 cmISBN: 0262134578 (cased) :Subject(s): Popular music -- Production and direction -- History | Popular music -- Analysis, appreciation | Sound recordings -- Production and direction -- HistoryDDC classification: 781.49 LOC classification: ML3470 | .M66 2005
Contents:
From mirror to beacon The studio as musical instrument The producer takes center stage.
Summary: Moorefield traces the development of music recording with detailed examples such as Spector and Martin, Brain Eno, Quincy Jones and the Chemical Brothers, among others. He also discusses the development of digital recording which has meant that artists can become their own producers.
Holdings
Item type Current library Home library Shelving location Class number Status Date due Barcode Item reservations
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 781.49 MOO (Browse shelf(Opens below)) Available 05913373
Book Book Paul Hamlyn Library Paul Hamlyn Library Floor 3 781.49 MOO (Browse shelf(Opens below)) Available 0591356X
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Includes discography (p. [119]-123) and bibliographical references (p. [125]-129) and index.

From mirror to beacon The studio as musical instrument The producer takes center stage.

Moorefield traces the development of music recording with detailed examples such as Spector and Martin, Brain Eno, Quincy Jones and the Chemical Brothers, among others. He also discusses the development of digital recording which has meant that artists can become their own producers.

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