Singing and the actor / Gillyanne Kayes.
Material type:
TextPublication details: London : A. & C. Black, 2004Edition: 2nd editionDescription: vii, 200 p. : ill. ; 22 cmISBN: 0713668237Subject(s): Singing -- Instruction and study | Singing -- Methods -- Self-instruction | Actors -- Training ofDDC classification: 782.41421538 Summary: This book will be useful for actors as well as beginner singers. It introduces the topic with how the voice works and offers advice for those whose voices die in auditions. Then there is advice on voice training, including developing range, the nasal port, dynamic projection and twang. Then using the text and song to create a character is discussed.
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.6028 KAY (Browse shelf(Opens below)) | Available | 06614809 | |||
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.6028 KAY (Browse shelf(Opens below)) | Available | 06614752 | |||
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.6028 KAY (Browse shelf(Opens below)) | Available | 06535895 | |||
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.6028 KAY (Browse shelf(Opens below)) | Available | 06535925 | |||
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.6028 KAY (Browse shelf(Opens below)) | 3 | 06288200 | |||
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Paul Hamlyn Library | Paul Hamlyn Library | Floor 3 | 792.6028 KAY (Browse shelf(Opens below)) | 3 | 06213618 |
Total reservations: 0
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| 792.6028 HAR Actor-musicianship / | 792.6028 KAY Singing and the actor / | 792.6028 KAY Singing and the actor / | 792.6028 KAY Singing and the actor / | 792.6028 KAY Singing and the actor / | 792.6028 KAY Singing and the actor / | 792.6028 KAY Singing and the actor / |
Previous ed.: 2000.
<b>At St Mary's Road an audio guide accompanying this book is shelved in the Recorded music collection CD 3724</b>
This book will be useful for actors as well as beginner singers. It introduces the topic with how the voice works and offers advice for those whose voices die in auditions. Then there is advice on voice training, including developing range, the nasal port, dynamic projection and twang. Then using the text and song to create a character is discussed.
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