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Popular music scenes : regional and rural perspectives / edited by Andy Bennett, David Cashman, Ben Green, Natalie Lewandowski.

Contributor(s): Bennett, Andy, 1963- [editor.] | Cashman, David [editor.] | Green, Ben (Cultural sociologist) [editor.] | Lewandowski, Natalie [editor.]Material type: TextTextSeries: Pop music, culture and identityPublisher: Basingstoke : Palgrave Macmillan, 2022Description: 1 online resource : illustrations (black and white)Content type: text | still image Media type: computer Carrier type: online resourceISBN: 9783031086151 (PDF ebook) :Subject(s): Popular music -- Social aspects | Music | Society & culture: general | Cultural studies | SociologyAdditional physical formats: Print version :: No titleDDC classification: 306.48424 Online access: Open e-book
Contents:
1.From regional scenes to national networks: Negotiating between geographical hierarchies in French and American rap music.- 2.Music from the end of the land: Understanding the dynamics of place, culture and heritage in music making in rural Pembrokeshire.- 3.The Station? We play, we eat, we work.- 4. Regional scenes, public service music radio, and the mediatisation of Murcian pop music.- 5.Between EU and Myspace: vora's independent music scene in rural Portugal during the 1990s.- 6.Take me to Church: Developing translocal music worlds through the creative peripheral placemaking and programming of Other Voices.- 7.Regional and remote area recording studios in Australia: Local in content but global in reach.- 8.Britain's backroom blues: An ethnographic study of Kent's independent blues club scene.- 9.In the middle of nowhere - Eisenach and its organically grown blues and jazz infrastructure.- 10."Down in Albury": A historical overview of the popular music scene in Albury 1960-2018.- 11.Acting out individualism: The rural rock discotheque in Northern Germany in the 1970s.- 12.Competing to belong: Tourist music workshops as peripheral spaces of belonging.- 13.Dojin Ongaku: Regional musicians influencing national and international music scenes.- 14.Indonesian Jazz: Regional networks, local stages, and an emerging national music.- 15.Fragmented, positive and negative: Live music venues in regional Queensland./
Summary: This book examines regional and rural popular music scenes in Europe, Asia, North America and Australia. The book is divided into four parts.Part 1 will focus on the spatial aspects of regional popular music scenes and how place and locality inform the perceptions and discourses of those involved in such scenes.Part 2 focuses on the technologies and forms of distribution whereby regional and rural popular music scenes exist and, in many cases co-exist in forms of trans-local connection with other scenes.Part 3 considers the importance of collective memory in the way that regional and rural popular music scenes are constructed in both the past and the present.Part 4 examines themes of industry and policy, in relation to culture and music, as these impact on the nature and identity of rural and regional popular music scenes.

1.From regional scenes to national networks: Negotiating between geographical hierarchies in French and American rap music.- 2.Music from the end of the land: Understanding the dynamics of place, culture and heritage in music making in rural Pembrokeshire.- 3.The Station? We play, we eat, we work.- 4. Regional scenes, public service music radio, and the mediatisation of Murcian pop music.- 5.Between EU and Myspace: vora's independent music scene in rural Portugal during the 1990s.- 6.Take me to Church: Developing translocal music worlds through the creative peripheral placemaking and programming of Other Voices.- 7.Regional and remote area recording studios in Australia: Local in content but global in reach.- 8.Britain's backroom blues: An ethnographic study of Kent's independent blues club scene.- 9.In the middle of nowhere - Eisenach and its organically grown blues and jazz infrastructure.- 10."Down in Albury": A historical overview of the popular music scene in Albury 1960-2018.- 11.Acting out individualism: The rural rock discotheque in Northern Germany in the 1970s.- 12.Competing to belong: Tourist music workshops as peripheral spaces of belonging.- 13.Dojin Ongaku: Regional musicians influencing national and international music scenes.- 14.Indonesian Jazz: Regional networks, local stages, and an emerging national music.- 15.Fragmented, positive and negative: Live music venues in regional Queensland./

This book examines regional and rural popular music scenes in Europe, Asia, North America and Australia. The book is divided into four parts.Part 1 will focus on the spatial aspects of regional popular music scenes and how place and locality inform the perceptions and discourses of those involved in such scenes.Part 2 focuses on the technologies and forms of distribution whereby regional and rural popular music scenes exist and, in many cases co-exist in forms of trans-local connection with other scenes.Part 3 considers the importance of collective memory in the way that regional and rural popular music scenes are constructed in both the past and the present.Part 4 examines themes of industry and policy, in relation to culture and music, as these impact on the nature and identity of rural and regional popular music scenes.

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