MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01380nam a2200241 u 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
457624767 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
UkMaC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20220929132017.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
|---|
| fixed length control field |
ta |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
220629s2020 xxuao r 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781501393112 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(StGlSA)991000817055106296 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
StGlSA |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
780 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Groth, Sanne Krogh |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The Bloomsbury handbook of sound art / |
| Statement of responsibility, etc. |
Sanne Krogh Groth and Holger Schulze. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Bloomsbury Academic, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2020 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
571 p. : |
| Other physical details |
ill. (b&w) |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographic references and index. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s into a turbulent field of academic critique and aesthetic analysis. Summoning artists, researchers, curators, and critics, this volume takes note of and reflects the most recent shifts and drifts in Sound Art--rooted in sonic histories and implying future trajectories. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Schulze, Holger |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |