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22372638 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20230120142717.0 |
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220105s2022 nyu sb 001 0 eng |
| 010 ## - |
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| -- |
2022000304 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780190237011 (e-book) |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 050 00 - |
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| -- |
MT90 |
| -- |
.A555 2022 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
780.92/52 |
| Edition number |
23 |
| 245 00 - TITLE STATEMENT |
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| Title |
Analytical essays on music by women composers : |
| Remainder of title |
Concert music, 1900-1960 / |
| Statement of responsibility, etc. |
edited by Laurel Parsons and Brenda Ravenscroft. |
| 246 30 - VARYING FORM OF TITLE |
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| Title proper/short title |
Concert music, 1900-1960 |
| 263 ## - PROJECTED PUBLICATION DATE |
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| Projected publication date |
2206 |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Oxford University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2022. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
pages cm |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 490 0# - SERIES STATEMENT |
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| Series statement |
Analytical essays on music by women composers ; |
| Volume/sequential designation |
volume 2 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction / Laurel Parsons and Brenda Ravenscroft -- Part 1. Music for Voice. Alma Mahler-Werfel, "Licht in der Nacht" (1901) : Searching for the Light : Harmonic Cycles and Feedback Loops in Alma Mahler-Werfel's "Licht in der Nacht" / Kenneth M. Smith ; Rebecca Clarke, "Tiger, Tiger" (1933) : Extended Tonality and Text-Setting in Rebecca Clarke's "Tiger, Tiger" / Zachary Bernstein ; Ethel Smyth, The Boatswain's Mate (1913-1914) : A Wrinkle? Gender and Motive in Ethel Smyth's The Boatswain's Mate / Rachel Lumsden ; Ruth Crawford, Chants for Women's Chorus (1930) : "Not yet accepted as singing" : Ruth Crawford's "To An Angel" from Chants for Women's Chorus / Ellie M. Hisama -- Part 2. Instrumental Music. Florence B. Price, Piano Sonata in E minor (1932) : Culture and Craft in Florence Price's Piano Sonata in E minor (First Movement) / Horace J. Maxile, Jr. ; Galina Ustvolskaya, Sonata for Violin and Piano (1952) : Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya's Sonata for Violin and Piano / Tim Sullivan ; J. M. Beyer, String Quartet no. 2 (1933-34) : Imagination and Method : J. M. Beyer's String Quartet no. 2 / Marguerite Boland ; Peggy Glanville-Hicks, Sinfonia da Pacifica (1952-53) : Avant-garde or Postmodern? The Melody-Rhythm Concept in Peggy Glanville-Hicks's Sinfonia da Pacifica / Victoria Rogers. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"This is the second of four volumes in a multi-authored series of analytical essays on music by women composers from Hildegard of Bingen to the twenty-first century. Volume 2 presents detailed studies of compositions written between 1900 and 1960 by Alma Mahler-Werfel, Rebecca Clarke, Ethel Smyth, Ruth Crawford, Florence B. Price, Galina Ustvolskaya, J. M. Beyer, and Peggy Glanville-Hicks. Each chapter opens with a brief biographical sketch of the composer, followed by an in-depth analysis of a single representative composition, occasionally including other works where comparison strengthens the analytical argument. The repertoire explored by the authors includes art song, opera, choral, solo piano, chamber, and orchestral music. To enhance the volume's accessibility to readers who are not professional music theorists or musicologists, a glossary provides explanations of music-theoretical terms used in the book. The collection is designed to challenge and stimulate a wide range of readers. For academics, these thorough analytical studies can open new paths into unexplored research areas in music theory and musicology. Post-secondary instructors may be inspired by the insights offered here to include new works in graduate or upper-level undergraduate courses in early twentieth-century music or women and music. Finally, for performers, conductors, and music broadcasters, these thoughtful analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners-an endeavor of discovery for all those interested in twentieth-century music"-- |
| Assigning source |
Provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music by women composers |
| Chronological subdivision |
20th century |
| General subdivision |
Analysis, appreciation. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music |
| Chronological subdivision |
20th century |
| General subdivision |
Analysis, appreciation. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Parsons, Laurel, |
| Relator term |
editor. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Ravenscroft, Brenda, |
| Dates associated with a name |
1961- |
| Relator term |
editor. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
|---|
| Relationship information |
Online version: |
| Title |
Analytical essays on music by women composers |
| Edition |
[1.] |
| Place, publisher, and date of publication |
New York : Oxford University Press, 2022 |
| International Standard Book Number |
9780197637364 |
| Record control number |
(DLC) 2022000305 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://oup-sp.sams-sigma.com/Shibboleth.sso/Login?entityID=https://idp.uwl.ac.uk/idp/shibboleth&target=https://oup-sp.sams-sigma.com/shib?dest=https://www.academic.oup.com/SHIBBOLETH?dest=https://doi.org/10.1093/oso/9780190236984.001.0001 ">https://oup-sp.sams-sigma.com/Shibboleth.sso/Login?entityID=https://idp.uwl.ac.uk/idp/shibboleth&target=https://oup-sp.sams-sigma.com/shib?dest=https://www.academic.oup.com/SHIBBOLETH?dest=https://doi.org/10.1093/oso/9780190236984.001.0001 </a> |
| Link text |
Open e-book |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |