MARC details
000 -LEADER |
fixed length control field |
05076nam a22004693i 4500 |
001 - CONTROL NUMBER |
control field |
EBC6639667 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
MiAaPQ |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230127164105.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
fixed length control field |
m o d | |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
fixed length control field |
cr cnu|||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
220422s2021 xx s ||||0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781538153413 |
Qualifying information |
(electronic bk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781538153390 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(MiAaPQ)EBC6639667 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(Au-PeEL)EBL6639667 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1256254788 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
MiAaPQ |
Language of cataloging |
eng |
Description conventions |
rda |
-- |
pn |
Transcribing agency |
MiAaPQ |
Modifying agency |
MiAaPQ |
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
780.23 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Borg, Bobby. |
245 10 - TITLE STATEMENT |
Title |
Introduction to music publishing for musicians : |
Remainder of title |
business and creative perspectives for the New Music Industry / |
Statement of responsibility, etc. |
Bobby Borg. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Blue Ridge Summit : |
Name of producer, publisher, distributor, manufacturer |
Rowman & Littlefield Publishers, |
Date of production, publication, distribution, manufacture, or copyright notice |
2021. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
2021. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (353 pages) |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
490 1# - SERIES STATEMENT |
Series statement |
Music Pro Guides |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Intro -- Contents -- Preface -- Acknowledgments -- Section 1. The Basics of Copyright -- 1. Definition, Formation, and Rights -- 2. Exceptions to Your Rights -- 3. Joint Works (aka Collaborations) -- 4. Duration of Copyright -- 5. Copyright Registration and Notice -- 6. Copyright Infringement -- 7. Sound Recordings Are Copyrights, Too -- 8. Copyright Amendments and Additions -- 9. End-of-Section Frequently Asked Questions -- Section 2. Types of Publishing Income -- 10. Mechanical Royalties -- 11. Performance Royalties -- 12. Synchronization Fees -- 13. Print Royalties -- 14. Electronic Transmissions: Streams, Videos, and More -- 15. Subpublishing Income Part 1: Four Food Groups Ex-United States -- 16. Subpublishing Income Part 2: Subpublishers -- 17. End-of-Section Frequently Asked Questions -- Section 3. Publishing Companies and Types of Deals -- 18. What Established Music Publishers Can Do for Your Career -- 19. Types of Deals with Publishing Companies -- 20. Other Contract Deal Points with Publishing Companies -- 21. Synch Exploitation Deals for Independent DIY Musicians -- 22. Starting Your Own Publishing Company -- 23. End-of-Section Frequently Asked Questions -- Section 4. Creative Matters of Music Publishing -- 24. The Magnificent and Scientific Power of Music -- 25. Start Preparing for the Creative Process -- 26. Basic Elements of Popular Songs -- 27. Uniqueness: Being Most Advanced Yet Still Acceptable -- 28. Product Innovation: Thirty-Eight Ways to Monetize One Song -- 29. Placing Music Part 1: Ten Out-of-the-Box Methods -- 30. Placing Music Part 2: Seven More Conventional Methods -- 31. Pitching Your Music Like a Pro -- 32. Promoting Music Part 1: Publicity, Advertising, and Online -- 33. Promoting Music Part 2: Direct Marketing and Face-to-Face Selling -- 34. End-of-Section Frequently Asked Questions. |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Section 5. Interviews with Today's Pros -- 35. Interview with Publishing Deal Hero: Mikey Wax -- 36. Interview with Producer Pro: Heather Holley -- 37. Interview with Game Master: Inon Zur -- 38. Interview with TV Team JoLi: Josh Bartholomew -- 39. Interview with Beat and Sample King: Sam Barsh -- 40. Interview with King of Collabs: Max Billion -- 41. Interview with Queen of Documentaries: Miriam Cutler -- 42. Interview with a Master Trailer Composer: Simone Benyacar -- 43. Interview with Songwriter Mentor: Pam Sheyne -- 44. Interview with Ace Ad Man: Brian Banks -- 45. End-of-Section Frequently Asked Questions -- Section 6. Things You Need to Know about Music Publishing's Future -- 46. Music Publishing's Future Part 1: Legislation to Watch -- 47. Music Publishing's Future Part 2: The Bigger Picture -- 48. End-of-Section Frequently Asked Questions -- Section 7. It's a Wrap! -- 49. Review of Music Publishing in a Nutshell -- Glossary of Terms -- Music Publishing Resources -- End-of-Chapter Quizzes -- Chapter Activity Assignments -- Index. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
This book is a comprehensive and easy-to-read overview of today's music publishing industry, written for students and musicians (songwriters, producers, beat makers, and more) who want quick, up-to-date, credible, and relatable information so that they can get back to doing what they like best: creating music!. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Description based on publisher supplied metadata and other sources. |
590 ## - LOCAL NOTE (RLIN) |
Local note |
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2022. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Music trade--Vocational guidance. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Music publishing--Vocational guidance. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Popular music--Writing and publishing--Vocational guidance. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Eames, Michael. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
Relationship information |
Print version: |
Main entry heading |
Borg, Bobby |
Title |
Introduction to Music Publishing for Musicians |
Place, publisher, and date of publication |
Blue Ridge Summit : Rowman & Littlefield Publishers,c2021 |
International Standard Book Number |
9781538153390 |
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) |
Corporate name or jurisdiction name as entry element |
ProQuest (Firm) |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
Uniform title |
Music Pro Guides |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://ebookcentral.proquest.com/lib/uwestlon/detail.action?docID=6639667">https://ebookcentral.proquest.com/lib/uwestlon/detail.action?docID=6639667</a> |
Public note |
Open e-book |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |