MARC details
000 -LEADER |
fixed length control field |
01597nam a22003138i 4500 |
001 - CONTROL NUMBER |
control field |
698717 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20210719180332.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
171215s2017 ctu f 000|0|eng|d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780819577634 (hbk.) : |
Terms of availability |
£23.00 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(StDuBDS)9780819577634 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
StDuBDS |
Language of cataloging |
eng |
Transcribing agency |
StDuBDS |
Description conventions |
rda |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
MUS |
Source |
eflch |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
MUS |
Source |
ukslc |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
780.9'04 |
Edition number |
23 |
245 00 - TITLE STATEMENT |
Title |
Eight lectures on experimental music / |
Statement of responsibility, etc. |
edited by Alvin Lucier. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Middletown : |
Name of producer, publisher, distributor, manufacturer |
Wesleyan University Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
2017. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
160 pages ; |
Dimensions |
22 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Source |
rdacarrier |
520 8# - SUMMARY, ETC. |
Summary, etc. |
In this collection, path-breaking figures of American experimental music discuss the meaning of their work at the turn of the 21st century. Presented between 1989 and 2002 at Wesleyan University, these captivating lectures provide rare insights by composers whose work has shaped our understanding of what it means to be experimental: Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Steve Reich, James Tenney, Christian Wolff, and La Monte Young. Collected here for the first time, together these lectures tell the story of 20th-century American experimental music, covering such topics as repetition, phase, drone, duration, collaboration, and technological innovation. |
521 ## - TARGET AUDIENCE NOTE |
Target audience note |
Specialized. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Music |
Chronological subdivision |
20th century |
General subdivision |
History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Avant-garde (Music) |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Music. |
Source of heading or term |
eflch |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Music. |
Source of heading or term |
ukslc |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Lucier, Alvin, |
Relator term |
editor. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Suppress in OPAC |
Do not suppress from OPAC |