MARC details
| 000 -LEADER |
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| fixed length control field |
02059nam a22002658a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
685329 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20210719171311.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
040329s2004 ncu f b 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780786418602 (pbk.) : |
| Terms of availability |
£23.50 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0786418605 (pbk.) : |
| Terms of availability |
£23.50 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
()0786418605 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
StDuBDS |
| Transcribing agency |
StDuBDS |
| Modifying agency |
UkLoUWL |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
791.4'36164'0973 |
| Edition number |
22 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Maddrey, Joseph. |
| 245 10 - TITLE STATEMENT |
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| Title |
Nightmares in red, white and blue : |
| Remainder of title |
the evolution of the American horror film / |
| Statement of responsibility, etc. |
Joseph Maddrey. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Jefferson, N.C. : |
| Name of publisher, distributor, etc. |
McFarland ; |
| Place of publication, distribution, etc. |
London : |
| Name of publisher, distributor, etc. |
Eurospan [distributor], |
| Date of publication, distribution, etc. |
2004. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
208 p. ; |
| Dimensions |
18 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes filmography. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
American Gothic in Film You Must Become Caligari: German Expressionism and the Origins of Film Gothic A New World of Gods and Monsters: Hollywood Studio Horrors of the 1930s Shadow Play: Hitchcock, Film Noir and the Val Lewton Cycle Bad Kids, Big Bugs, Body Snatchers and the Bomb The Monster Is Madness: Castle, Corman and California Gothic Apocalypse America: The Modern Horror Film What the Fifty Foot Woman Did to the Incredible Shrinking Man Selling the American Dream: The Postmodern Horror Film (Part I) Old Monsters, New Flesh: The Postmodern Horror Film (Part II) Reality Bites: The New American Film Gothic Auteurs Tod Browning: Sideshows Alfred Hitchcock: Noir Town Roger Corman: Counterculture and Creature Features George A. Romero: The Fall of Camelot John Carpenter: Space-Age Cowboys Larry Cohen: Outside in America David Lynch: American Beauty? Wes Craven: The New Myths. |
| 520 8# - SUMMARY, ETC. |
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| Summary, etc. |
The history of American horror movies is a reflection of changing American cultural attitudes & values, argues Joseph Maddrey, as he traces the genre from its early fascination with the Gothic, to the alien invaders of the Cold War era, to the modern nightmares of the American dream gone wrong. |
| 521 ## - TARGET AUDIENCE NOTE |
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| Target audience note |
Specialized. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Horror films |
| Geographic subdivision |
United States |
| General subdivision |
History and criticism. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Suppress in OPAC |
Do not suppress from OPAC |