MARC details
| 000 -LEADER |
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| fixed length control field |
02785nam a22003738i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
683296 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20210719170415.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
141218t20152015cau b s001 0 eng c |
| 010 ## - |
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| -- |
2014048856 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780520285279 (cloth : alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0520285271 (cloth : alk. paper) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(DLC) 2014048856 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
CU-S/DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
CU-S |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 050 00 - |
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| -- |
TR187 |
| -- |
.A425 2015 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
770 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Albers, Kate Palmer, |
| Dates associated with a name |
1974- |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Uncertain histories : |
| Remainder of title |
accumulation, inaccessibility, and doubt in contemporary photography / |
| Statement of responsibility, etc. |
Kate Palmer Albers. |
| 263 ## - PROJECTED PUBLICATION DATE |
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| Projected publication date |
1507 |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
Oakland, California : |
| Name of producer, publisher, distributor, manufacturer |
University of California Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2015] |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2015 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
pages cm |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction Cultivating uncertainty Displacements : Gerhard Richter's Atlas "Around this nucleus a large empty space" : Dinh Q. Lê's Mot coi di ve Historical reconstruction and doubt : Christian Boltanski's Les Archives de C.B. 1965-1988 After the fact : Joel Sternfeld's On this site The performative landscape : Ken Gonzales-Day's Hang trees Conclusion. |
| 520 3# - SUMMARY, ETC. |
|---|
| Summary, etc. |
"The compulsion to dwell on history--on how it is recorded, stored, saved, forgotten, narrated, lost, remembered, and made public--has been at the heart of artists' engagement with the photographic medium since the late 1960s. Uncertain Histories considers some of that work, ranging from installations that incorporate vast numbers of personal and vernacular photographs by Christian Boltanski, Dinh Q. Lê, and Gerhard Richter to confrontations with absence in the work of Joel Sternfeld and Ken Gonzales-Day. Projects such as these revolve around a photographic paradox that hinges equally on knowing and not knowing, on definitive proof coupled with uncertainty, on abundance of imagery being met squarely with its own inadequacy. Photography is seen as a fundamentally ambiguous medium that can be evocative of the historical past while at the same time limited in the stories it can convey. Rather than proclaiming definitively what photography is, the work discussed here posits photographs as objects always held in suspension, perpetually oscillating in their ability to tell history. Yet this ultimately leads to a new kind of knowledge production: uncertainty is not a dead end but a generative space for the viewer's engagement with the construction of history"--Provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Photographic criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Photography, Artistic. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art and history. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
History in art. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Suppress in OPAC |
Do not suppress from OPAC |