MARC details
000 -LEADER |
fixed length control field |
02880nam a22002897a 4500 |
001 - CONTROL NUMBER |
control field |
566122 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20210719153543.0 |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
fixed length control field |
ta |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
071203s2008 xxca fr|||||||1|0 eng|d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780802095206 (pbk.) : |
Terms of availability |
CAD 39.95 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0802095208 (pbk.) : |
Terms of availability |
CAD 39.95 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(UK-WkNB)9780802095206 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
UK-WkNB |
Language of cataloging |
eng |
Transcribing agency |
UK-WkNB |
Modifying agency |
UK-LoTVU |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
ATKA |
Source |
bicssc |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Wagstaff, Christopher. |
245 10 - TITLE STATEMENT |
Title |
Italian neorealist cinema : |
Remainder of title |
an aesthetic approach / |
Statement of responsibility, etc. |
Christopher Wagstaff. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Toronto : |
Name of publisher, distributor, etc. |
University of Toronto Press, |
Date of publication, distribution, etc. |
2008. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
464 p. ;[16 p.] of plates : |
Other physical details |
ill., (b&w) ; |
Dimensions |
23 cm. |
490 #0 - SERIES STATEMENT |
Series statement |
Toronto Italian studies |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliography (p.[471]-492) and index. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
The end of the Second World War saw the emergence of neorealist film in Italy. This work not only offers readers in Film Studies and Italian Studies a perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric. |
Expansion of summary note |
The end of the Second World War saw the emergence of neorealist film in Italy. In "Italian Neorealist Cinema", Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films more as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's "Roma citta aperta and Paisa", and Vittorio De Sica's "Ladri di biciclette" are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en scene, and montage.This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available, for the first time in English, a large amount of data on postwar Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. "Italian Neorealist Cinema" not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general. |
521 ## - TARGET AUDIENCE NOTE |
Target audience note |
Undergraduate. |
545 0# - BIOGRAPHICAL OR HISTORICAL DATA |
Biographical or historical data |
Christopher Wagstaff is senior lecturer in Italian Studies at the University of Reading. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion pictures |
General subdivision |
History and criticism |
Geographic subdivision |
Italy. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Film theory & criticism. |
Source of heading or term |
bicssc |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Suppress in OPAC |
Do not suppress from OPAC |