Objects as history in twentieth-century German art : Beckmann to Beuys /
Chametsky, Peter.
Objects as history in twentieth-century German art : Beckmann to Beuys / Peter Chametsky. - Berkley, Calif. : University of California Press, 2010. - xi, 286 p. $; bill. (b&w) ; 26 cm.
Includes bibliography (p. 255-268) and index.
Titanic sinks, Departure arrives: Max Beckmann's melodramatic role in the fall of history painting and rise of the historical object - Lost and found Dada objects and subjects: George Frosz, Hannah Höch, and German Jewish identity - Objects as interpretation - Absender: ich: Willi Baumeister's anti-Nazi works as objects of (s)exchange - Sculpture and crime: Arno Breker - From muscle men to fatty remains: Josseph Beuys's sculptural objects beyond objecthood - Conclusion: beyond Beuys: Gerhard Richter's choice.
9780520260429
Art and history--Germany.
Art, German--20th century.
Objects as history in twentieth-century German art : Beckmann to Beuys / Peter Chametsky. - Berkley, Calif. : University of California Press, 2010. - xi, 286 p. $; bill. (b&w) ; 26 cm.
Includes bibliography (p. 255-268) and index.
Titanic sinks, Departure arrives: Max Beckmann's melodramatic role in the fall of history painting and rise of the historical object - Lost and found Dada objects and subjects: George Frosz, Hannah Höch, and German Jewish identity - Objects as interpretation - Absender: ich: Willi Baumeister's anti-Nazi works as objects of (s)exchange - Sculpture and crime: Arno Breker - From muscle men to fatty remains: Josseph Beuys's sculptural objects beyond objecthood - Conclusion: beyond Beuys: Gerhard Richter's choice.
9780520260429
Art and history--Germany.
Art, German--20th century.